Director
Mo Ali
Cast list
| Kedar Williams-Stirling | ... | Junior |
| Adam Deacon | ... | Kickz |
| Ashley Thomas | ... | Rager (as Ashley Bashy Thomas) |
| Michael Socha | ... | Craze |
| Jan Uddin | ... | Sweet Boy |
| Kaya Scodelario | ... | Tasha |
| Jennie Jacques | ... | Ree Ree |
| Rheanne Murray | ... | Lexy |
| Jerome Holder | ... | Tugz |
| Colin Salmon | ... | Boogie |
| Terry Stone | ... | Papa |
| Robbie Gee | ... | Beano |
| Luke de Woolfson | ... | Whisper |
| Robert Fucilla | ... | Breezer |
| Eddie Kadi | ... | Reggae Chef |
Credits
Produced by
| Laurence Brown | ... | associate producer |
| Tom Clarke | ... | associate producer |
| Mike Diamond | ... | executive producer |
| Lee Donaghy | ... | associate producer |
| Mark Foligno | ... | executive producer |
| Tony Jimenez | ... | executive producer |
| Justin Lanchbury | ... | associate producer |
| Justin Marciano | ... | executive producer |
| Steve Milne | ... | associate producer |
| Ajay Parkash | ... | executive producer |
| David Shear | ... | executive producer |
| Deepak Sikka | ... | associate producer |
| Terry Stone | ... | producer |
| Nick Taussig | ... | producer |
| Daniel Toland | ... | producer |
| Richard Turner | ... | associate producer |
| Paul Van Carter | ... | producer |
Music by
| Chad Hobson | ||
Cinematography by
| Adam Frisch | ||
Film Editing by
| Julian Tranquille | ||
Casting By
| Jane Ripley | ||
Production Design by
| Rob Nicholls | ||
Art Direction by
| Rob Nicholls | ||
Costume Design by
| Avigail Claire | ||
| Damian Collins | ||
Makeup Department
| Elle Baird | ... | makeup artist |
| Kati Hood | ... | special makeup effects artist |
| Hannah Jones | ... | makeup artist |
| Chloe Muton-Phillips | ... | makeup daily |
| Hannah Phillips | ... | makeup designer |
| Emma Sheffield | ... | special makeup effects artist |
Production Management
| Michael S. Constable | ... | production manager |
| Stan Fus | ... | unit manager |
Second Unit Director or Assistant Director
| Matthew Boyd | ... | third assistant director |
| Alexander Holt | ... | second assistant director |
| Lance Roehrig | ... | first assistant director |
Art Department
| Jermel Daley-Clarke | ... | set dresser |
| Joe Goulding | ... | set dresser |
| Stuart May | ... | set dresser |
| Kate Millner | ... | assistant art director |
Sound Department
| Howard Bevan | ... | boom operator |
| Simon Epstein | ... | foley mixer & editor |
| Nick Foley | ... | adr mixer |
| Greg Hagen | ... | boom operator |
| Matthew Hansell | ... | boom operator |
| Marc Hope | ... | foley editor |
| Scott Jones | ... | sound re-recording mixer |
| Richard Kondal | ... | dialogue editor |
| Claire Mahoney | ... | foley artist |
| Stefano Marchetti | ... | assistant re-recording mixer |
| Keith Tinman | ... | sound designer |
| Kieron Wolfson | ... | sound designer (as Kieron Teather) / sound recordist (as Kieron Teather) |
Visual Effects by
| Fawnda Denham | ... | visual effects line producer |
Stunts
| Simon Berry | ... | stunts |
| Andy Butcher | ... | stunt driver |
| Dave Judge | ... | stunt coordinator |
| Gary Surreal Lawrence | ... | stunt double (as Gary Lawrence) |
Camera and Electrical Department
| Eva Arnold | ... | first assistant camera |
| Phil Aylward | ... | grip |
| Craig Bekker | ... | daily grip |
| Chris Brennan | ... | additional gaffer |
| Mark Brennan | ... | gaffer |
| Paul Brennan | ... | additional gaffer |
| Kriss Dallimore | ... | daily second assistant camera: b camera |
| Mark Dempsey | ... | digital imaging technician |
| Jack Foran | ... | trainee grip |
| Leo Holba | ... | daily first assistant camera: b camera |
| Zack Lyon | ... | spark |
| Warren Markert | ... | daily camera trainee |
| Alex Mott | ... | daily grip |
| Roland C. Phillips | ... | second assistant camera (as Roland Phillips) |
| Rupert Power | ... | steadicam operator |
| Mark Surridge | ... | still photographer |
| Fran Weston | ... | daily first assistant camera |
| Sophie Wilson | ... | daily first assistant camera |
Editorial Department
| Mike Andrews | ... | digital film technician |
| Charlie Caselton | ... | additional editor |
| Tim Drewett | ... | digital film technician |
| Justin Lanchbury | ... | di film consultant |
| Paul O'Reilly | ... | assistant editor |
| Katy Piggott | ... | digital intermediate technician |
| Andy Richards | ... | supervising DI conform editor |
| Gemma Townsend | ... | digital intermediate technician |
| Tim Waller | ... | senior colorist |
Music Department
| Elisa Kustow | ... | music production coordinator |
| Ashley Thomas | ... | music supervisor (as Ashley Bashy Thomas) |
Other crew
| Anita Atwal | ... | additional runner |
| Hannah Daisy Boyd | ... | production coordinator |
| Alex Darby | ... | runner |
| Lawrence Dunant | ... | floor runner: dailies |
| Emma Falkner | ... | additional runner |
| Lee Francis | ... | key floor runner |
| Peter Glover | ... | floor runner |
| Nicole Gregory | ... | unit publicist |
| Richard Hardwick | ... | supervising location manager |
| Katherine Hitchcock | ... | cast coordinator |
| Alexander Huish | ... | additional runner |
| Natasha Jones | ... | additional runner |
| Philip Lobban | ... | location scouting |
| Amanda Long | ... | location scout |
| Mohammad Munir Malik | ... | epk director/producer |
| Jessica Squires | ... | script supervisor |
| Abigael Taiwo | ... | additional runner |
| Samantha Tansey | ... | production assistant |
| Richard Turner | ... | production accountant |
| Harry Young-Jamieson | ... | floor runner |
| Ben Hope | ... | security leadman (uncredited) |
Synopsis
Mo Ali's futuristic knife-crime drama brings the dystopian environment of Children of Men and District 13 to London's East 17. Shank delivers a ruthless vision of forthcoming urban life, where guns have been superseded by knives and are fiercely wielded by aimless youths.Amidst the chaos is the Paper Chazers gang, a rare morally conscious group who trade scavenged food for money. After Chazers gang member, Junior (Kedar Williams-Stirling), witnesses his brother's murder, he must decide whether to get revenge or stick to the gang's moral code. In this fast-paced and artistic film, present-day social issues, and murky city streets, provide a canvas for imagination and action.
Reviews
Clarke, Cath. "Shank." The Guardian Film. The Guardian, 25 Mar. 2010. Web. 3 Dec. 2014. <http://www.theguardian.com/film/movie/135026/shank>.
Clarke, Cath. "Shank." The Guardian Film. The Guardian, 28 Mar. 2010. Web. 3 Dec. 2014. <http://www.theguardian.com/film/2010/mar/28/shank-film-review>.